NEW MEXICO Retablo, Nuestro Senora Del Carmen
NEW MEXICO, fine, early & rare :
NUESTRA SENORA DEL CARMEN
“Virgin of the Scapula”; “Our Lady of Mount Carmel”
Retablo, attributed to
PEDRO ANTONIO FRESQUIS (1749- after 1831)
or his Tailler/workshop*
(* considered the earliest santero born in New Mexico, Fresquis is believed to have had apprentices or assistants who worked in a taller, or workshop {1}
Tempera & gesso on hand-adzed pine pane, height 16” x 8” ,
Title painted lower left “del Carmen”
Veneration of Our Lady of Mount Carmel is said to have Old Testament roots. Praying at Mount Carmel , to save Israel from drought, Elijah the prophet saw the answer to his prayers in a cloud that swelled in size. This sign was interpreted as a promise of salvation--from present danger--along with a greater future salvation through a Virgin mother to come.
The New Testament Carmelite order traces its roots to an Old Testament community of hermits on Mount Carmel since the days of the Prophets; by the 1190’s a group of European men, pilgrims or Crusaders, were living in community as a religous order, at the Well of Elijah on Mount Carmel, naming Elijah and the Virgin as their models. The order was renewed when the Virgin appeared to Saint Simon Stock, General of the Order, in 1247 and presented him with the scapula. The Carmelite orders, monks and nuns, spread devotion to the brown scapula “Our Lady’s triple promise to assist us in life and death and to bring us as soon as possible to the gate of Heaven.{2} ”
In this retablo, mother and child each hold a scapula in outstretched hands.
Provenance : Estate of George Thomas Riggs
References
{1} C. Carrillo & T. Steele. A Century of Retablos: The Janice & Dennis Lyon Reed Coll of New Mexico Santos, 1780-1880; Arizona, Phoenix Art Museum and Hudson Hills Press, 2007.
{2} T. Steele. Santos & Saints. Santa Fe, Ancient City Press, 1994 Revised ed.
{3} Wikipedia (Scarf-Herzog Encyclopedia of Religion; Copsey, R et al. Carmel in Britain : studies on the early history of the Carmelite order [1992-2004])
# 1803 ...................................... SOLD
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Detail, Virgin and Child
Forward-facing with oval faces, almond-shape eyes, upper & lower eyelids, pupils dark and round, eyebrows and narrow nose drawn with a single line distinguishes the work of Fresquis, according to Carillo & Steele ( ref 3 )
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Retablo, Nuestra Senora del Carmen
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"ns del Carmen"
painted lower left, in the santero's hand, beneath a pinwheel scroll...all characteristic of Fresquis, according to the 2007 book by Carillo & Steele. ( 3 )
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Curtain Canopy and Corners
another characteristic of the work of Fresquis, considered the earliest santero born in New Mexico
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SGRAFFITO zig-zags along curtain border
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Fresquis finished his retablos with a shiny pinon-resin varnish
sometimes mistaken for oil paints
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The artist's typical 'space fillers'
include pinwheel scrolls with rising vegetation, squiggles, etc.
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Side view from top
Tempera and gesso on hand-adzed pine panel
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Side view from below
Panel measures approximately 16" x 8"
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Verso
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Side view, left
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Side view, right
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Our Lady of Mount Carmel traces to an Old Testament vision of Elijah the Prophet, fortelling a Virgin mother
by the 1190’s a group of European men, pilgrims or Crusaders, were living in community as a religous order, at the Well of Elijah on Mount Carmel, naming Elijah and the Virgin as their models.
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Virgin and Child each suspend a scapula from outstretched hand.
The brown scapula, "Our Lady's triple promise to assist us in life, assist us in death, and bring us as soon as possible to the gate of Heaven"
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In 1247 the Virgin Mary presented the Scapula
in a visitation to Saint Simon Stock of the Carmellite order.
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SOLD
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